JAWANAKARTA

JAWANAKARTA
TIGA


LOR (North)


The dark afternoon sky without the sun accompanies the steps of the Heads of Hamlet to a house on the edge of Kali Dono. The colder Eve did not dampen their steps to get as much information as possible. The misfortune that continued to attack the Hamlets in Lor City became a strong reason to continue to advance and not give up. They arrived at a simple house with a wooden fence carved in ancient writing. Looks beautiful and comfortable when as if calling them to immediately take shelter in it. They entered through the wooden fence, as they looked at each other. Feels warm and comfortable even if only in the yard, inversely proportional to the atmosphere outside the fence of the modest house. The head of Duskul Hamlet walked towards the terrace and knocked on the door.


Tok Tok Tok Tok Tok Tok Tok


"Excuse me, Tasriya."


"Injeh (iya) for a while" came the answer from inside the house.


"Sore Bag, sorry Pakwo disturb, what Pakwo can meet Simbah Nduk (called girls)?"


"O saget (can) Pakwo, Eyang nembe (medium) watching television. Monggo (mari) please come in"


"Bag, sorry Pakwo here ndak (no) himself. Pakwo with some of the Head of Lor City Hamlet. This is the Head of Munjang Hamlet, Brukut, Mergo, Anong Sama Mertos"


"injeh (yes) Pakwo. Sugeng rawuh sedoyonipun (welcome all) my grandson Tasriya from Mbah Etos. Monggo (mari) please come in."


"Tersuwun (simply) Ma'am Bag, sorry to bother visiting when the time to rest like this."


"It's okay sir, Eyang's in the middle room. Sorry Eyang nembe (medium) ndak (not) feel good so hard to walk, if chatting in the middle room nothing?"


"It's okay, ma'am, thank you in advance."


"Together sir, as long as I can help it doesn't matter."


Tasriyapun went inside followed by the whole Head of Hamlet. It was not long before Mbah Etos was seen sitting with a little girl watching television. Seen occasionally the little boy invites to chat Mbah Etos about the event they watch.


"Eyang saw that in the village of Teachings there was already a car. Wow, that car was great, Eyang."


"Kie's car (it) what's Nduk?"


"That's Eyang whose wheels there are four truss made of iron, later the road has not been pulled by a horse if not a cow."


"Grandfather (if) ndak (not) drawn opo cow horse, lha trus how can the road nduk?"


"Research katane Eyang, in the mobile there is a machine and then the steering wheel will stay in the computers of the road trus. So ndak (no) pulled a horse with a cow again Eyang."


"Pity me (no) karo sapine."


"Lho pity Eyang, not now they are free already tormented ndak be told narik dokar same wagon."


"They pull the cart it's an obligation to open torture let alone coercion. Horses and cattle docks the same wagon to help humans, and otherwise assisted humans will be obliged to feed them. So when the four wheels had replaced their duties. They are no longer needed and that means humans are no longer obligated to feed. It'll make them end up in the market or slaughtered nduk."


"Kok so eyang, Rahmi thought later if the car has entered our village, the same horses can be free to play. No more tormenting narik dokar same wagon."


"That's called the balance of nature nduk, mutual benefit. Humans are assisted by horses and cows with their power to transport goods and humans. Then for horses and cows, they get rewarded in the form of food, minumah, shade and care. The coachmen were happy to take good care of them."


"But can't the coachmen continue to take care of them even if they can't help Eyang anymore?"


"It is possible but when the dockar and cart are not needed anymore so will the coachman they will lose their job. When human life is difficult, they reduce their burden. Because they cannot reduce the burden like their own families, the choice falls on their pets. And that's the end of the horse and the cow, if it's not sold it's slaughtered."


"Excuse me Eyang, niki (this) there's Pakwo Parjan."


"I'm sopo nduk?" (who is Nduk?)


"That's Mamak Eyang."


"Niki kulo Tasriya Eyang." (this is my Tasriyah Eyang)


"This one is Rahmi, sanes (not) Mamak. Eyang mboten (no) forgot the same Rahmi to?"


"Oalah, Rahmi's great-grandfather Eyang Ayu dewe (most beautiful). Not (not) forgot."


"Ono opo want my cake?" (what was my grandson?)


"It's enten (there) Pakwo Parjan putrane (his son) Mbah Darmo."


"O yes Parjan, piye le Kabarre?" (o yes Parjan, how is it?)


"I'm good Mbah, Mbah Esto pripun (how) Healthy?"


"Yes this is how old (already) wis body names, a little catch a cold."


"Eyang Pakwo Parjan Soan (coming) with other Hamlet Heads. Someone wants to ask Eyang."


"Well here and there to ask what is Le? Please sit down."


"Thank you Mbah"


"Previously sorry to disturb Mbah's rest, I and the other Head of Hamlet here want to ask some things, just in case Mbah knows"


"Meh (want) ask what is Le (for boys)?"


"Bengini Mbah, 3 days ago Mayor Lor called all the Heads of Hamlets in Lor City to the city hall. Mayor Lor said that the 1000-year cycle would return at this time. He said that there has been too much change and loss of identity of the nation from our country. Then that cycle will fix our country as it was, so inevitably we have to go through it." Mbah."


"Trus."


"Mayor Lor told us that the only way we can go through the cycle without total destruction of our Country is to find the Sovereign. He said that the Pancang Lor will be the one who can save us."


"But we know absolutely nothing about the Pancang Mbah, even many of us think they are legends or fairy tales. Because they've never been in our country's history books."


The sound of breath from Mbah Etos takes all the focus from those in the room.


"Because that's what Le dreamers want, history is filled only with what prosperity, prosperity, achievement is what history records. No one will want the recorders of misery, oppression, poverty because it means showing the defects of the leaders. And again the Sovereign is the beginning of our country, they are called the Buffer Pancang. Because in fact they are the pillar that will always sustain the State. When the State has a buffer pole and is reinforced with the foundation of the State, a safe, prosperous, and prosperous State will be born."


"If they are the beginning of why they are not included in the history of our country Mbah. They should be the ones who will know all over our country. Their names will be carved in every building maybe the right award is to make them a museum. They should be on par with the Kings."


"As Mbah said earlier, the Pancang will never enter history. History is filled only by something of achievement and success, while it was rejected by the reason of the birth of the Sovereign"


"How do you mean Mbah?"


"The Girlfriend was born because of the Despair, Suffering and Tribulation of those who remain steadfast and believe in Belief, Culture and Tradition, the three foundations of our Country. So it's impossible for us to find them recorded in the history books of our country."


"So the Pancang Lor and the Pancang are true and real Mbah?"


"True or not Mbahpun also does not know Le, it happened 1000 years ago. And you know that no human being is alive today and no history records them either. But there are always remember, many legends are always told from generation to generation. Or we often call it a bedtime story. In it there is much stored advice and advice on life, about faith, loyalty, and the spirit of never giving up. The story that may be in this era has been forgotten a lot because it is considered too ancient and less real."


"True Mbah, the fairy tale from outside today is very popular with children today Mbah, they memorize the names of princesses from distant lands. But they do not know that from their own country there are many Princesses who are no less beautiful than princesses from out there. One of the ones I remember most is Princess Apsara of Kidul, beautiful, intelligent, holy-hearted and brave."


"It is absolutely impossible for us to forbid our children to like princesses from outside. Because there are no more television shows showing about our country anymore."


"True, the means that should be able to introduce our Country to young people in order to strengthen the knowledge of the State itself, but instead more often show something that is not worth watching young people. That's why I can't forbid my children to like the buyadas of other countries that are indeed more worth watching."


"Sorry Mbah, if Mbah deigns can Mbah tell one of the stories of Lor City perhaps. It seems like we haven't heard the legend of our country much less of our city, Lor City."


"There is one story that Mbah always remembers because Mbah liked it so much. A story that teaches us to continue to fight through oppression, misery even when he has to lose his whole family and life for the sake of justice and the peace of the State. There is no regret and giving up in his life. The story of a boy they nicknamed SANG DARANI LOR, the Warrior Land Lor."