
After her husband and son left for work, Rima immediately carried out the action she had been thinking about all night.
All the behavior of Freya that often makes him rise in blood makes Rima increasingly suspicious of the woman.
Rima prepared to go to meet someone she had contacted this morning, asking to meet somewhere so that no one would see and hear what they were going to talk about.
For some reason, her instinct as a mother is so strong that Freya has ulterior intentions in Sagara. Several times he caught Freya staring at her son with a vengeful look.
One more thing, Rima was so convinced that Freya and Amora were the same person. He knew it was impossible. He himself saw Amora's death, but Freya's gestures and manner of speech were sometimes very similar to those of Amora.
Rima also remembered, a mole on the left shoulder of Amora. In the past, when Amora was sick, Rima took care of her. Therefore, he still remembered the mole on Amora's shoulder that was apparently also owned by Freya.
Could two different people have the same sign and the same location?
He must find the origin of Freya. Is Freya the little girl she used to kidnap? If Freya was the girl, then,
when did the girl get back to her parents? When did Dirga and Rania find the little girl she used to throw away all the way to Jakarta?
Rima was also very curious, if Freya was the same person as the little girl, then who had the girl been living with? Who saved him?
His high curiosity and anger at Freya made Rima decide to investigate. Rima hires a detective to help her.
"It's the photos, the parents' addresses and the data you need to start the investigation. I want, what I wrote on the paper, you investigate" Rima said without opening her sunglasses.
He wants to play it safe, lest others know he's up to something.
"Next week we meet again here. I hope you've got the news and data I asked for!" firmly Rima thrust a brown envelope that was so fat and made the face of the man wearing the black hat.
"I'm sure you won't be disappointed in my hard work. I'll do what you ask" he said with a smile.
Rima glanced at her watch, there was still two hours left to meet with her fellow tourists, so she decided to visit one of the malls closest to where she was at this time.
Two floors he's been on. Exit the boutique and also the distro but there is no item that can attract his heart.
Rima finally came out, planning to order a cup of coffee at the restaurant he passed by. However, his steps came to a halt when he saw two people one of whom he was very familiar with entering the restaurant he was going to earlier.
Covetous granddaughter arrives, Rima meets with Freya when she needs information about the girl. The trap was right, there was something that was hidden by Freya, proving she was not a good girl.
"Basic ******! My guess is right!" his murmur spit on the floor. He hurriedly followed the steps of the two into the restaurant. Rima wanted to take a photo as proof.
The photo will be given to Sagara and Aditya. Rima wanted to show the men of different generations if the woman they adored turned out to have another lover besides Sagara.
The intimacy Rima saw at this moment was impossible for two people who had no relationship at all.
Feeling the durian crumble, Rima continued to record Amora's togetherness with the Gods.
Not wanting to be caught by the two, Rima who already felt pocketed enough evidence chose to leave immediately.
The middle-aged woman was already impatient to show the evidence of the tape to her son later. It turns out that his instincts as a mother, his belief that his son has been played by a girl, proved.
Hopefully with the evidence he has at the moment, Sagara's eyes will open and will leave Freya for good.
Maybe at the time of the ceremony, Rima will ask her social friends, do they have a daughter who can be introduced as well as a prospective wife for Sagara?
Rima's smile was perfect. He was really impatient to give evidence of the video recording to Sagara so that the only boy realized that Freya was not a good woman who was worth fighting for.
CONNECT ....