
The goddess sat alone facing the dressing glass inside her room that night. His room light was turned off and he only used a candle as a light. The goddess looked at his face. The book was in front of him. “Well this is the time,” whispered the Goddess. Outside the room looked ambu who looked worried. To be honest the ambu remains heavy to allow the Goddess to do this because of the stakes of life but Dewi insists on being responsible for all the risks, finally, Ambu relented but on the condition that ambu allowed to keep it in front of the door of the room that is not locked. Ambu now wears a white mukena to help her son with prayer.
The goddess controls her breath. Closed his eyes. Slowly his lips opened, his vocal cords were broken and he began to take a tone to begin the first verse in developing the forbidden kawih.
Wengi poek's. Seungit the carcass.
Her voice was beautiful, cradling. Like the sound of experienced pesinden in wayang golek performances with famous puppeteers.
Abdi hoyong pateupang's. Humadakan.
Severely Goddess developed this verse like she was longing for a lover who never came. Outside suddenly the wind blew, shaking the plants, whispering the leaves of big trees and making dogs bark. You are praying more and more to hear all that. The candle flame inside the Goddess room started to sway.
Ngaharewos. Bejaan aya di dieu.
Stand up the feathers of the Goddess in this section. He could feel a presence in his room. Her heart was actually scared but the Goddess continued to cultivate it.
At gigireun in tukangeun anjeun.
Slowly the Goddess could hear the Sundanese buzzing music sounding along with the sound of flutes coming from the dark corners of the room that was not illuminated by candlelight. Slowly filled the room. Stand up feathers goddess. The beautiful woman is capable and shouldered to look at the Goddess and then develop a long follower with degung accompaniment.
The ngalayang. Saacan janari bright.
Cold sweat dripped on the Goddess' back and forehead. He's speechless. The combination of Nyai Galunggung's voice and the mystical degung moves through his fear nerves. Like snuggling it from behind, making it unable to move. The lentic Nyai Galunggung fingers move to dance meekly. Out of nowhere suddenly from behind the window curtains, entered a large snake striped red and black. Tongue sticking. The snake crept through the curtains and descended to the Goddess' bed.
Neangan anu.
The high tone in this section sliced the Goddess' guts. He shriveled in front of this sinden maestro. It turned out that the appearance of Nyai Galunggung was more terrible than any demonic figure because the dark aura that enveloped him shut off all reason and logic. His smile and his eyes burned the courage of men. The Goddess knew this was far even very far from her reach. He could die easily at the hands of Nyai Galunggung.
Seungit the carcass. In the middle of wengi poek.
Kawih was finished being sung and the sound of the hump-goal disappeared back into the dark corners of the room. The body of the Goddess trembled as Nyai Galunggung looked at her with his lips turning a smile. “I beg Nyai, forgive us. This is not our sin,” Goddess ventured to say despite trembling.