Dusk Bleak
Watch 5

“And eat his noodles.“

“Dah.“

“Kenyang lu.“

“Iya. Ate. There's ice mixed again."

“Tail cave if girlfriend asks for jajan mulu.“

“Little doang too.“

“Kan not yet result.“

“Ya have just asked.“

At first, this comedian Bujang only accompanies the actors, the main characters in his adventures.

Next, become someone capable. Connected with the ruler.

Because at the beginning of the story did not use the legend. But in the Kediri period has begun to appear the figure of the punakawan. And the number is only one or two. Hence the development of the figure into four is then a essay where the depiction is more prominent juxtaposed with the main character. And there is a final chapter of the story that always helps, even if at the base of the story there is nothing.

At the beginning of the story, of course, only as a friend of the knight where the function is to entertain. In this case, of course, there is nothing. Because the magic is the main character, the knight.

But it is next described that the punakawan was the incarnation of the god. Thus it must be a rich and powerful figure. Because the god on the puppet is a figure above the humans in the world.

The figure of this comedian bachelor is always in every puppet show. Because at that moment also presented a variety of entertainment. There's jokers, there's dance, there's songs. What is clear is the emergence of more entertainment, where to spend time towards the end. Until this entertainment between dalang and sinden. Then grow by presenting comedians. And next with his various color dances. If only the puppeteer and sinden, must laugh it tends to be the speech of the puppeteer who is able to play the speech of the character of the entertainer. In this case, the figure in each character is no standard. Depends on the mastermind, as well as from which area he uses the pakem. So there are characters with the name Bagong, then in other areas the name can change to Bawor, even wayang in Sunda call it cepot. This one character alone was already different in its bearing. Both the story of creation, the story of his life until its appearance is different. Also the figure of semar. It was a new creation. There is a reality in the era of temples, all have not appeared. And in the book in the new Kediri era there is the name Jurudyah and two colleagues. Then it appeared in the Mojopait era as Semar. This time Semar has many names as a designation, one of which is Jurudyah Punta Prasanta who joined for one character. Facing such reality, the existence of the punakawan to add to the story to be more alive, and acceptable to the community, so as not to get bored. It also makes the story more diverse. There are also many words of wisdom and programs that are delivered in an entertaining manner. And not just the raw from the original writing. And that can clearly give a message to the existing character to insinuate everything that is not right and is developing in the world today. May that be what makes the show always appear. If in the past, suppose that in the Bratayuda war there is no need for the event, there is no need for the event, but now many puppeteers still use it as a distraction so that in one night the entertainment remains and the audience is still at home to keep paying attention until tomorrow when the event is over.