Dvesas
Cave Wall Symbols

The noise kept Gayatri awake, he found himself in a tent while the shadow outside the tent seemed to be going back and forth.

Gayatri opened the blanket and carefully moved from the mat to the outside of the tent. 

"Madam, are you okay?" said Anjali who was warming up the water.

Gayatri nodded. The sky was still dark, but the atmosphere was too quiet. 

"I want to take a shower" Gayatri said.

Anjali escorted Gayatri to a nearby river. Along the way, Gayatri continued to look up at the sky, and scoured the surrounding forests.

Isn't this too quiet? They were in the forest but there was not a single sound of birds, insects, or other wild animals.

"Did something happen last night?" asked Gayatri.

"Master moved you, after you fell asleep. Nothing else happened" Anjali said.

Gayatri recalled their last conversation, about Anjali.

"So who are you?" asked Gayatri suspiciously.

"Do you remember the palace of women in Astapura?" asked Anjali.

Of course Gayatri remembered. Because of his life in Astapura, Gayatri knew his hatred and prayers for Mahakali.

"Laksmi, I'm a female dancer who was placed with Laksmi" she explained

Gayatri almost hits him, if Anjali does not rush to explain that it was Saksenya who asked Siddharth to escort Laksmi. Anjali is a trusted female soldier of Sonarika, her father-in-law.

Anjali helps Gayatri bathe and clean herself. He also wore a clean saree on Gayatri. The swelling at the feet of Gayatri began to decrease, but the bluish color has not been lost.

Both of them walked towards the camp and found Saksenya was directing the soldiers.

"Today we must arrive at the place of the red giant. We can run out of time if we continue to delay" Gayatri told Saktenya.

They drove the horses towards the cave which was at a height. Relying on his childhood memories, red giants love gardening. Nuts and potatoes were her favorite food, so she lived in a cave surrounded by the plants.

After hours of passing through the hills, they arrived at the expanse of potato plantations. They must be careful not to damage the plant and they come to the cave that Gayatri means.

"I will go in" Gayatri said to her Saksenya and the company.

"Me too" replied the witness.

Gayatri took a deep breath and looked at her face fixedly.

"Listen Sir, you are the King of the Kingdom of Suballa. No one can guarantee our safety here. If I die, Suballa's work must live" Gayatri said slowly.

After all his current Saxony was the sole heir to their kingdom and his Saxony's safety was a priority.

His witness looked upset, but Gayatri hugged him. The hug felt hollow as his Saxon thoughts overshadowed his father's death.

"You must go with Anjali and one more soldier" his Saxon command.

Gayatri agreed, then the three walked down the cave hallway.

The cave looks neat, on the walls are lit by torches and looks a painting of children there. There was a boat, a chicken, a loggerhead, and two people holding hands. Gayatri guessed the picture. 

Boat, means shortcut. The chicken is always used as a symbol of bravery maybe this painting is a rooster. Chicken blood and liver are generally used for rituals that either bring good or good maps.  Tempayan, the media in the ritual even the dead are buried with a jar containing property, valuables, and food. Then two people, maybe his mother's father or a boy and a girl.

"Cretek, kretek," like the sound of ruins.

Gayatri approached the cave while looking at the walls and ceiling of the cave, afraid that something might collapse.

Gayatri almost shouted, when she saw a red giant suddenly standing not far from her sight. The giant face was hard to recognize, part of its body was covered in scales and the other side of the body began to appear small purulent wounds, like a volcano crater.

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